![]() ![]() Examples include the Squarcialupi Codex of Italian Trecento music and the Chantilly Codex of French Ars subtilior music. The few collections of secular music that are extant were commissioned and owned by wealthy noblemen. This was a very labor-intensive and time-consuming process, so it was first undertaken only by monks and priests seeking to preserve sacred music for the church. ![]() Prior to 1501, music books were owned by the wealthy or religious institutions, and music had to be learned by ear or copied out by hand. The earliest example, the Mainz Psalter, dates from 1457, and is the second book to be printed on the Gutenberg Press after the Gutenberg Bible. Music publishing did not begin on a large scale until the mid-15th century, when mechanical techniques for printing music were first developed. This article outlines the early history of the industry. Music publishing is the business of creating, producing and distributing printed musical scores, parts, and books in various types of music notation, while ensuring that the composer, songwriter and other creators receive credit and royalties or other payment (where applicable). ( Learn how and when to remove this template message)Ī page from the Mellon Chansonnier (c.1470), prepared for the wedding of Catherine of Aragon JSTOR ( January 2013) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "History of music publishing" – news Please help improve this article by adding citations to reliable sources. Munich: Henle, 1991.This article needs additional citations for verification. Manuscrits de Musique Polyphonique, XVe et XVIe siècles: Italie. Updated notes on the Census Catalogue (CC) sources useful for pairing with CC.Notes on dating and provenance, analysis of fascicle structure, problems of paleography and notation, and relationships between groups of sources.Discussion of sources based on date, region, and genre.Annotated bibliographies for selected sources.ML100 G8863 2001 (print copy of The New Grove Dictionary of Music)." Sources, MS IX, Renaissance Polyphony." In Grove Music Online. ![]() See CC under Manuscript Resources of this guide for more details.Organized based on the CC (Census Catalogue).List of microfilms available at McGill for specific Renaissance manuscripts.Many of the entries can be found on DIAMM.System of manuscript abbreviations is widely used (with RISM, they are the two main standards for music manuscripts).Includes bibliography of scholarly articles for each source with a list of composers, genres, and numbers of pieces bibliography includes articles containing complete inventories.Authors included entries for known manuscript sources of polyphonic music in mensural notation 1400–1550.Neuhausen-Stuttgart: Hänssler-Verlag, 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music, 1400-1550. Hamm, Charles, and Herbert Kellman, eds.One of the most important online catalogues for music manuscripts.1550, as well as English music manuscripts for 1550-1600 Includes music manuscripts of polyphonic music up to c.Includes the Census Catalogue and RISM (see below) entries for many sources. ![]() Database for inventories, descriptive information and images (or links to online images) of many Medieval and Renaissance manuscripts.DIAMM: Digital Image Archive of Medieval Music. ![]()
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